This enormously controversial psychodrama-cum-horror film from Danish enfant terrible Lars Von Trier
charts the degeneration of a marriage into apocalyptic violence, chaos,
and insanity following an unthinkable domestic tragedy. The film opens
with a prologue. While they make love in their apartment on a snowy
winter afternoon, a husband and wife known only as "He" and "She" (Willem Dafoe and Charlotte Gainsbourg)
fail to keep an eye on their young toddler. In a horrific turn of
events, the child wanders over to an open window, entranced by the snow
cascading down, and falls two stories to his death. Von Trier
then divides the remainder of the film into four chapters, beginning
with "Grief." In that segment, the woman finishes a month's
hospitalization, and accuses her husband of apathy over the child's
death, but proceeds to take responsibility for it herself; he calmly and
rationally guides her through this process. In the second segment,
"Pain," she confesses to him that she's most terrified of their property
in the forest, because she spent time with her son there over the
preceding summer; as a form of therapy, he takes her to that locale on a
wilderness retreat. She appears to grow more calm and rational over
their first days in that milieu. Yet the recovery, it seems, was only
illusory, and the subsequent two chapters, "Despair (Gynocide)" and "The
Three Beggars," depict the woman's shocking and abrupt regression into
unbridled insanity, culminating with grotesque sexual violence against
herself, gruesome acts of destruction against her husband, and an
apocalyptic climax.
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Antichrist (2009)
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